“Springsteen-indebted Americana, suspended folk chords glistening beneath troubadour tales, his lyrical eloquence still inspired almost 30 years on from his debut”
MOJO January 2013
Martyn’s latest collection is a particularly well-crafted set of new songs that together express his personal unshakeable belief in mankind’s ability to triumph and save the day even when faced with a world full of despair, destruction and carnage. The “coming home” of the title refers to the notion that we’re “always striving to return…to a place of solace, understanding, compassion…justice, mercy and peace”. This is expressed in intense, tellingly immediate one-take performances which, while keeping Martyn’s own guitar and voice to the fore, are embellished by producer Mason Neely with deft aural brush-strokes or instrumental over-dubbing. To illustrate his central premise, Martyn’s lyrics explore our emotional responses to adversity and, crossing the line from realization, proceed to pit the route to salvation. Standout moments come with the deeply pensive regretfulness of ‘Archive’, the scathing condemnation of ‘Beyond Us’, and ‘Clara’, the poignant true story of a writer whose life was quite literally saved by music. As you may also be, by Martyn’s magnificent “snapshots of the heart and mind”.
David Kidman – Properganda Magazine
I can’t take my ears off Martyn Joseph. This is maybe his 30th record (studio/live/collaborations/eps) and since I bought An Aching And A Longing, his live acoustic album in 1989 which took his career on the journey he has treaded ever since, very few artists have kept my attention as well as this Cardiff Devil (Ice hockey reference and not confirmation that he is a Liberal Backslider!). As soon as Songs For The Coming Home starts playing on my iPod I am gripped, intrigued and utterly blessed by ten new songs. Many other artists that I have loved have lost my attention down two and a half decades but never Joseph. His longevity has me wondering why? Is it the voice that is strong, vulnerable, ragged, smooth, angry and loving all across every album and live show? Is it the songwriting that is always intelligent, poetic, provocative, prophetic and pastoral? Is it that, though his song craft has not moved far from a folk song template, his records have added subtle little shifts of grace notes as the piano here on Clara, the mid sixties Beatles’ brass on Beyond Us , the Springsteen-esque harmonica and the Gospel choir on Still A Lot Of Love Round Here? It has to be said that Songs For The Coming Home is maybe his most satisfying production yet and maybe that is another reason; his craft as well as his content has matured with the years. This collection is his most successfully eclectic in topic and sound and is without doubt his fullest, deepest, widest and highest work yet.
I reckon that it is for all these reasons that Martyn Joseph never shows any hint of the law of diminishing returns. Yet, as I pondered why I realised that this record more than any other gives me the definitive answer. Maybe a year ago in a conversation about music Martyn offered as a reason for his vocation that he was trying to write songs that would be companions on the journey. That is it! Martyn Joseph writes the songs that best get along side me as I stumble on my mental, emotional, political, cultural and spiritual journey. There is this honesty on Falling From Grace that is then balanced with the hopefulness of Still A Lot Of Love Around Here. Political musings are right there in Beyond Us and religion gets an audit in Not A Good Time For God. Archive is a song for the big scenery with its particular location Alberta, Canada but an accompaniment for any connection with the vast resonating beauty of creation and the mysterious miniscule preciousness of our humanity.
On Songs For The Coming Home, Martyn has a song that spells out his belief in the power of the song. Clara is as beautiful a story song as I have heard in many a long year. A black girl nurses a rich white unwanted baby and sings him songs. Years later and the baby is grown up and in the mood for suicide when he hears songs in his head that he knows not where from and it pulls him back to live a life of literary grace. In their late years they are reunited and Clara sings the songs and suddenly the writer knows who saved his life. It is moving, profound and a theology of the importance of song. It is why I can’t take my ears off Martyn Joseph. He is one of my most important Claras:
“I hope we all have a Clara
Singing songs unknown
Songs for the healing
And songs for the coming home.”
Steve Stockman – Soul Surmise